#84 – Making Handmade Books: 100+ Bindings, Structures, & Forms by Alisa Golden
- Read: 2016 – 2019
- Challenge: Mount TBR (56/100)
- Rating: 5/5 stars
It didn’t actually take me three years to read it. But I bought it in 2016, scratching the itch I wrote about almost four years ago, and decided I would make an example of every book from it. Because I’m ambitious(dumb) like that.
In the beginning, that was easy, because the binding styles go in a rough order of increasing complexity, the first section being devoted to folded books that require very little in the way of time or supplies. I think I cranked out the first four models in one afternoon.
But they weren’t satisfying. I bought this as a reference book for multiple types of bookbinding, and it is–but it’s also written by a book artist and geared towards those wishing to make books as art. Whereas I, who loves both books and art, wanted a book to teach me to make books to make art in. I want to make journals, not art projects.
That sounds like a criticism, but it’s not really–there’s no reason I couldn’t use the books I made however I wished, and the model art works provided as examples were inspiring, even if that’s not what I aspired to.
As I worked through the projects, I began to skip the forms that didn’t suit my needs for journaling–the pop-up books, scrolls, Jacob’s Ladder, and so on. But it’s great that they’re there, that the book is so exhaustive in cataloguing and providing instructions for so many types of bindings.
There are still forms in here I want to try, but lack the materials for–I haven’t invested in “proper” bookbinding tools, as most of the simpler projects can easily be made without them, or with makeshift tools borrowed from other crafts (of which I have many.) And as this book is such a comprehensive overview of styles, I don’t feel the need to buy any other works on bookbinding any time soon–possibly never, unless I get the craving to go more advanced and need something more specialized to teach me.
So while it’s geared towards artists in tone, it’s an excellent introduction to the craft for hobbyists like me; and for such a large book packed with detailed instructions, I found incredibly few errors, none of which threw me off for longer than it took to double-check a diagram or reread a few sentences.
Time to share a few of my favorites. This is the Concertina, an accordion-style form where the pages are glued together at their outer edges. I made it from book pages cut from my art journals for space, many of which had been painted over randomly to use up mixed paint I couldn’t scrape back into its bottles. I made it more journal-like by adding a wrapped softcover, a page from this years Shen Yun tour (a traditional Chinese dance company, which I have never seen, but they come to Detroit every year and I always get mailers and their photos are beautiful.)
This is the Crown Binding, where the pages are actually removable, held in only by the folded tabs that create the spine. While I don’t need a journal with removable pages, it was an interesting structure to learn. I finished the book blank with individual hardcovers.
This was a fun one. It’s called Piano Hinge with Skewers, and the signatures are notched at the spine edge so they can be interwoven along bamboo skewers. It’s not the best for journaling–the spine is incredibly thick compared to the book block, and it doesn’t lie flat to write in. But it’s pretty, so I’ll use this one and probably not make another.
My first try at the Exposed Stitch Binding. I see this one a lot in journals for sale on Etsy and the like–it’s not difficult, it’s pretty, it’s sturdy, and for thin books like this one, it lies flat quite well. I made this last week to keep records of my latest batch of experimental recipes–I always need one of these in my kitchen! Also, in my last fallow period between batches of books, I had the brainwave to use completed coloring-book pages to make my covers, and this was a perfect opportunity to try it.
Finally, the one I made last night while I was thinking about finally making this post! It’s the Secret Belgian Binding, and aside from the Coptic Stitch books I taught myself all those years ago, it’s the most complex thing I’ve attempted. The spine of the hardcover (done in another old coloring-book page) is actually free-floating inside the stitches keeping the front and back cover together, and the signatures are laced to the inner spine through those stitches. It’s clever, it’s gorgeous, but it’s a little trickier, and my tension isn’t perfect. But this might be my favorite so far, because it feels like a “real” book and lies flat to work in!