#83 – Wednesday, by Kendall Ryan
- Read: 6/5/20
- Mount TBR: 78/150
- Rating: 1/5 stars
Ugh. I can’t fault it for being exactly what it says on the tin–dark, angsty, and burdened with near-constant sex. All of that is true. But it comes at the cost of having characters with personalities beyond “abusive and messed up” for the hero and “absolute doormat” for the heroine.
She even manages, somehow, to convince herself that she’s the one using him, despite the fact that, at the house after his wife’s funeral, he pulled her into a bathroom and starting taking her clothes off and proceeded to have sex with her. It’s not strictly non-consensual–she had plenty of opportunity to say no but never actually said yes either, and he certainly never bothered to ask.
But okay, fine, we’re setting up the “dark” tone and the hero has a hundred pages to get better, right? It comes along far too late and isn’t all that believable–suddenly there’s a hurricane! he could be in danger and she might never see him again and they might never figure out what to do about their super-twisted fuck-buddy situation! she’s worried! he shows up! he decides to turn over a new leaf and actually date her instead of just showing up at her house every Wednesday to have sex with her!
…really? A hurricane? I guess since she never once bothers to stand up for herself, it would take a natural disaster to make the hero change, because it’s not going to be anything she does.
The hero’s face-turn is a paper-thin veneer over an entire novella of abusive, possessive, unhealthy behavior, and the whole time THE HEROINE LITERALLY JUST LETS HIM DO WHATEVER BECAUSE SHE WANTS “TO BE THERE” FOR HIM.
#84 – A Natural History of Dragons, by Marie Brennan
- Re-read: 6/5/20 – 6/10/20
- Original rating: 5/5 stars
- Reread rating: 4.5/5 stars
I want to knock the rest of the series out this year, and while I read Dragons in April 2019, I’ve read so much else since (and so much has happened since!) that I didn’t remember the plot as well as I would like to before continuing on with the next novel. My original review was no help there, as I mostly spoke about the style of the book and how it made me feel, rather than any specifics of what happened.
So I reread, and I’m glad I did. Did I like the book as much the second time around? Nearly. Towards the end I was impatient with the intrigue plot that wraps everything up, because my memory had washed this title with a sort of science-based nostalgia, when in reality it’s just as much action and mystery. I felt scales tipping in that direction this time much more keenly, and while that doesn’t make it a bad book–far from it–it does take a little bit of the shine off, compared with what I remember.
This is actually the first time I’ve formally reread a book I previously reviewed, and I wasn’t even planning to write a second review for it, just make a few explanatory comments about why it was showing back up on the blog, and then I found I actually did have things to say. It’s still a great book, and I still recommend it.
#85 – Stamped from the Beginning: The Definitive History of Racist Ideas in America, by Ibram X. Kendi
- Read: 6/3/20 – 6/10/20
- The Ultimate PopSugar Reading Challenge: a book on a subject you know nothing about
- Rating: 4/5 stars
This book turned my comfortable and complacent view of American history on its ear. I was aware before this that my decades-ago public-school education on the subject was lacking in nuance, and even to some degree sanitized, and my college education was spread across many other subjects–I never went back to fill in the gaps of what I knew I didn’t know, let alone question what I’d already been taught.
Almost all of it was inaccurate, as it turns out.
In addition to poking large holes in my concept of history, this gave me a new framework to think about racist ideas as a whole, with its assertion of a three-sided system rather than the simple two-sided one: the world isn’t divided into racist or non-racist, but segregationist, assimilationist, or anti-racist. This explained so much, and will give me a good grounding going forward in my anti-racism reading and learning journey. (At least until, and if, I come across a work presenting a different structure to the system of racist ideas.) Also of note, the assertion that racial hatred is not the source but the result of institutional racism, which actually comes from the political and economic self-interests of those in power; which is a complete reversal of how I had been taught to view racism, and again, it explains so much. People in positions of power create racist policies out of self-interest (thank you capitalism), which then creates the need to justify those policies, and out of those justifications, you get prejudice and intolerance and hatred.
My (minor) issues with this work are not content-based, but structural and tonal. This swings wildly and somewhat unpredictably between dry, factual history and excited activist exhortation, a sort of whiplash that never got easier for me to navigate. And while the structure appears neat from the outside, with the history broken into five parts surrounding a major historical figure of the day, so much of each section was completely unrelated to that person, and every so often, usually at the start of a chapter, the narrative would jump tracks from a tangent to drag itself back to that person, again, a sort of mental whiplash. It may be that these issues were more apparent to me because I was listening to the audiobook and not reading the text, where I wouldn’t have heard the changes in the narrator’s voice as the tone of the piece changed.
This might not have been the best choice for my first anti-racism read, because of its length and relatively dry historicality, but whatever flaws I find in the presentation don’t diminish the content. This was a valuable and eye-opening experience from start to finish.
#86 – Love On My Mind, by Tracey Livesay
- Read: 6/10/20 – 6/11/20
- Around the Year in 52 Books: a book with an emotion in the title
- Mount TBR: 79/150
- Rating: 2/5 stars
Part of me wants to say this is well-constructed, because its theme is crystal clear–communication is essential to successful relationships–and all the conflicts support that. You’d be surprised how often I see romances pile on dozens of unrelated conflicts onto their characters without even a hint of a central organizing theme.
But, on the other hand, the conflicts themselves are paper-thin, both ignored and then solved with no real effort. Adam got his pride and reputation ruined by the last women he was serious about, and he has Asperger’s, which in his case makes social interaction difficult for him. Chelsea values her career more than anything, to the point where she uncomfortably accepts the order to lie to a client (Adam) about her presence in his life, engaging in a business relationship with him under false pretenses.
Both of them start by telling themselves they should make it a personal relationship despite their obvious chemistry, though Adam folds on that far faster than Chelsea, who has far more reason to stand her ground. But she doesn’t (of course) and after an incredibly brief span of happiness together, everything blows up in their faces (also of course.)
But they both make huge changes/concessions in their lives almost instantly–Adam having an epiphany about trust, and Chelsea resigning from her job to prove love is worth more than her career–and while those about-faces make logical sense from a thematic standpoint, they come with basically no soul-searching, both of them in less than a day of story time. Then they apologize and get back together and she gets her job back and everything is totally fine now happy ending whee!!!
Also, there’s a stiff quality to nearly everything. Chelsea has no apparent personality or interests to speak of beyond her job, and Adam’s video game habit is poorly executed. Nobody calls video game characters “avatars.” Source: I’m a lifelong gamer. They’re playing a thinly-veiled version of one of the Uncharted games, apparently, based on the name and what little description is given. You’d just call the thing you control on screen a “character” like everyone else does. It makes no sense to use “avatar” in this context, because Uncharted specifically is a story-based game following a main character on his adventures, he’s how the player interacts with the video game, sure, but he’s not a meaningless shell encasing the player with no traits of his own.
Judging from other reviews, the techie-corporate aspect is just as poorly executed. I wasn’t knowledgeable enough during my reading to know the specifics of the industry, but the whole setup felt off. Adam’s best friend and COO hiring a PR firm but insisting they work undercover, essentially? How was anyone supposed to be successful in doing their job while having to disguise who they were or why they were there? If Adam hadn’t been attracted to Chelsea, how on earth would she have accomplished what was basically an impossible task, on her own, with no support or direction from her firm?
I have the second book in the series–they were both freebies or maybe 99 cents back when I picked them up–so I’ll read that too before I decide if this author is a no-go in the future for me, but I have to say, I was hoping for better.