#85 – Luck in the Shadows, by Lynn Flewelling
- Mount TBR: 71/100
- Rating: 4/5 stars
Let’s be honest: 5 stars for characters I fell in love with, 3 stars for plot and narrative style.
It’s been a long time since I read Flewelling’s The Tamir Triad and liked it just fine, but that was before I got into book reviewing, so I’m actually curious to see how “good” I think they are when I reread. Which, now, I’m probably going to do. I hadn’t realized that this series was set in the same universe, mostly because I picked this up on the strength of recommendations like “it’s fantasy that’s queer without the queerness being the main focus”–which is true–and “if you like lovable rogues, do I have a new main character for you to swoon over.” Which is also true, and a completely fair assessment of Seregil.
Maybe I wasn’t swooning, exactly, but I am in a sort of love with him, and Alec, and Nysander, and more of the minor characters than not.
The structure? While this never descends to the level of true head-hopping, the omniscient narrator and choppy scene breaks do make for a disjointed style that more recent fantasy mostly seems to eschew. (Not that I’m a great fan of alternating/multiple first-person narrators either, because authors so rarely manage to differentiate their voices properly, but that’s a separate complaint.) Sometimes I would find myself taken out of my reading by a scene break I felt came at a poorly chosen time, or the author’s tendency to try to end chapters on a quip that didn’t always land. And the ending is a giant, obvious, ominous, and possibly unearned cliffhanger.
But that’s getting into plot territory, so I’ll make my case for my complaints there as well–the first half (or maybe 60%) is clearly a sort of coming-of-age story for Alec, and also building the groundwork for the future romance. If I had been reading this when it was new, I would have classified that romance as “possible but I’m not sure it’s actually going to happen” and that’s definitely what the text supports. With the benefit of reading this more than twenty years after publication, even though I’ve been exposed to minimal spoilers, I do know that the romance does happen. And that part of the novel is slow-paced and filled with excellent character work.
But the back half is a complicated intrigue plot that introduces new characters to be villains, then discards them as their relevance declines, with surprising frequency. I don’t think the conspiracy itself is the problem, only that it seems mostly disconnected from the earlier parts of the book, not properly foreshadowed. And most of what I did feel was foreshadowed well was the stuff that didn’t get fully resolved–the “evil” nobleman and his necromancer accomplice, the magic object that made Seregil deathly ill, and Nysander’s role in/knowledge of those goings-on. I get that we have to leave something for future books, but since this was clearly The Important Thing, the conspiracy against the throne seemed almost like an afterthought, like it was just an elaborate exercise to show Alec had learned to handle himself. While that’s a valid resolution to his coming-of-age story, I think it needed to be more evident in the early plot, even when the other characters were hiding their purpose from Alec for his own protection. Did I need to be kept in the dark the same way he was, as a reader?
All that being said, I still love these characters and very much want to know what happens next. I was just lamenting with Shadowmarch not that long ago that I shouldn’t have collected the whole series before I started reading, on the strength of usually loving its author–I plan to donate the lot of them, without reading the other three. But here, I don’t own the next book already, and now I regret that, because I’d like to keep going immediately.
#86 – A Shadow in Summer, by Daniel Abraham
- Mount TBR: 72/100
- Rating: 1/5 stars
DNF @ 23%. I really thought I was going to keep going on this one, because it did have a promising opening, but since I ended up reading this on my phone on-the-go while I read another physical book concurrently, that turned out to be a much better fantasy work, I don’t really want to go back to/on with this one.
Honestly, I’m just having terrible luck with the freebies I’ve gotten from Tor’s newsletter. I haven’t been picking them up lately, because I keep reading novellas I don’t end up liking, or first-in-series novels like this one that I either don’t finish, or if I do, that don’t make me want to pick up the next book. Which is, of course, the point of the publisher offering these freebies.
When the book started, I was like, “Yes! We’re doing monks with an alien philosophy for me to learn about! Cool!” So I put up with the lack of definition to several new fantasy words the text threw at me, thinking I’d figure them out when I had more context. And I grit my teeth through the declamatory silliness of every character having to strike an unexplained “pose” as a part of their speech. (Do I think the idea of explicitly codified body language as a required supplement to verbal communication is interesting? Absolutely. Do I think it’s executed well here? Absolutely not.) I actually thought that perhaps that was endemic to the monks, but then we veer sharply away from them in Chapter 2, when the story becomes about trading intrigue, but yeah, everybody still spends half their conversation taking poses to convey extra meaning that the author is just clearly dying to make sure we understand.
But the intrigue never actually intrigued me. Oh, sure, Seedless is vaguely interesting as a character, once I started to grok the concept of what “andat” were–one of those undefined terms from the opening that I was hoping to learn. And I think I did. But the rest of it was just tedious posturing (literally, as I’ve covered, but also figuratively in the sense of people jockeying for power over each other) over semi-mysterious happenings that I never felt invested in.
As this author is one half of the team that writes The Expanse, I genuinely thought it would be better than I found it to be, but a) no one hits a home run every time, and b) I shouldn’t expect it to be similar since it’s only one of them, and also c) as much as I love The Expanse, it’s also flawed, and this is flawed without the benefit of me already liking its characters from a television show. So I possibly went into this with unfair expectations. Even if I didn’t, however, I still wouldn’t think it’s very good.