Mind-Mapping Goes Digital

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Over the course of my vacation last month, I covered five sheets of notebook paper with mind-map-style notes about one of my possible NaNo projects, a non-hierarchical wolf-shifter-society romance.

As I was working outside of my usual space and without the benefit of a computer, I didn’t mind mapping it all out by hand. But when I got home, I knew that trying to work from paper to screen would irritate me.

Fortunately, around that time, Tumblr introduced me to RealTimeBoard, a free virtual whiteboard app.

From the short introductory videos I watched, the app is clearly geared towards team project collaboration, but as you can see from my consolidated mind-map above, it works perfectly well for single-person projects too. With a little forethought, I managed to plan a layout from the center outwards that incorporated all of my individual maps into one massive, color-coded monstrosity.

As with any new program, the learning curve on using all its features will take a little time–I’m sure I haven’t explored everything yet–but once I got past the initial five minutes of the WTF-does-this-do, I was fine.

And on a more personal level, I discovered I quite like mind-mapping as an outlining tool, and now that I have an app for it, I’ll probably use it again in the future.

Writing Homework #12: Try a New Outlining Method

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Since I’m trying to wrangle my plot bunnies and choose which one gets fed during NaNoWriMo this year, and I’ve got seven to choose from, I thought this would be a great time to investigate different ways to outline. I’ve already tried a few throughout my years of writing, with wildly varying degrees of success, but I got it in my head to try as many as I can now, while I have all these ideas to cultivate.

Your assignment, should you choose to accept it, is to take a story idea you have an try out a new-to-you method of outlining it. I’ve assembled several ideas, but there are certainly more methods out there.

#1 – Standard (Research Paper) Outline

Just like the ones back in school, this is your Roman-numeral, descending outline. Straightforward, especially if you’re already familiar with it from a thousand sheets of class notes or research papers–just change the sections from Introduction, Thesis, etc. to Act I, II, II (for the three-act structure) and make the subdivisions into chapters; or if that’s too rigid, use the sections for the major plot points you want to occur, the subdivisions for scene details, and figure out the chapter divisions as you write.

#2 – The Synopsis

Take a sheet of paper (or a blank document) and write out in simple action sentences the plot of your novel. This one’s quite flexible; it doesn’t need to be as formal as writing a synopsis for publishing agents, though it still shouldn’t go into great detail at this stage. Include notes for character motivation or settings where you already have ideas, but in truth, this is the bare-bones summary of what happens in your story.

#3 – The Snowflake Method

If the Synopsis is a quick-and-dirty approach, the Snowflake Method is its fractal cousin. Its creator explains it in more detail than I can–but briefly, you start with one sentence describing your entire premise, then expand that into a handful of sentences detailing the major plot points, then expand that into paragraphs with the first details of how and who and why, and so forth.

#4 – The Headlight/Flashlight Method

Useful for us pantsers who have a character already in mind or know how the story starts, this method (which I’ve seen frequently under both names) is a brainstorm-as-you-go plan, where you take what you already have and only plan a few chapters in advance. At each major decision point, you can explore as many new ideas for how to proceed as you want before committing to writing the next few chapters. By its nature, this method isn’t as strong for a situation like NaNoWriMo when you might want all your planning done ahead of time, but it certainly appeals to me!

#5 – The Zero/Discovery Draft

An anything-goes race from start to finish, written with more depth but less precision than a synopsis; the kitchen sink of outlines, where everything from detailed character descriptions to snippets of dialogue to [insert fight scene here] is acceptable. Author Leigh Bardugo describes her process for one of my favorite YA novels¬†Six of Crows¬†as “I write a skeleton and then put meat on its bones.”

#6 – Mind Maps

A visual, non-linear outlining method that I have no experience with myself, so I’ll point you here for a comprehensive breakdown. It seems a little intimidating to me, as I’ve never attempted anything like it–but that means I probably should, right?

#7 – Note Cards/Sticky Notes

Another visual method with the bonus of being rearrangeable, for stories without firm timelines at the outset. Depending on your planning style and level of abstraction, each note card can be a scene, a chapter, or a simple major plot point if you’re in the early stages. You may end up using the note cards to build a more classic outline in the end, but for strongly visual thinkers, it might be an easier way to get there.

I hope this has given you some ideas for the care and development of your plot bunnies–good luck!


Need to get caught up on your assignments?

Let Me Tell You a Story #27: Too Many Plot Bunnies

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With a completed series behind me and a NaNoWriMo novel draft I’m not ready to tackle rewriting, I’m stuck firmly in Plot Bunny Land. I have seven WIPs at the moment with drabs of story notes, partial scenes, and the vaguest of character sketches and outlines–they range from a mere 581 words to a fat-bunny size of 5,941.

I’m still writing nearly every day, but over the past few weeks I’ve added a few hundred words at a time to four of those seven bunnies.

I have no idea what to write next.

Each one is appealing to me, in one way or another, or I wouldn’t be writing them in the first place. I’ve got ghosts in a library, reunited old friends (two takes on this one), geeks in love, lesbian witches, a werewolf shifter pack with a family structure instead of the debunked Alpha/Omega nonsense, and a man belly dancing on a bar. They’re all fun.

But I don’t know where any of them are going. The downside of being, in all major ways, a pantser.

So today I’m brainstorming ways I can choose between these fluffy little rabbits and focus on just one story to write.

  1. Continue as I am, adding to each story as the ideas come, until one takes over naturally. PRO: doesn’t force me to choose. CON: getting one project finished will be extremely slow.
  2. Pick one at random and force myself to write it while ignoring the others. PRO: might help me get my work ethic (and word count) going again. CON: higher risk of burning out on a story midway through.
  3. Spend some time developing a rough outline for each one, then choose which one to work on based on whatever feels more complete/inspiring. PRO: will probably lead to the most informed choice and best first draft. CON: does not at all play to my strengths and will involve a great deal of work up front before making a decision. PRO #2: at the end of whichever project I pick, I’ll have still outlines and notes assembled for the rest of them.

Given that it’s the middle of September and I’m about to go on a week’s vacation (yay!) I’m leaning towards #3, despite it not being my usual style. If I take the next six available weeks before NaNo starts, I can probably work up a reasonable plan for which story to choose and be ready to write a draft of it in November.

Wish me luck, my lovelies. I think I’ll start this afternoon.