#121 – Stay, by Sarina Bowen and Elle Kennedy
- Rating: 2/5 stars
Yikes. I rode the coattails of a Hoopla romance binge straight into this from Good Boy and the entire Him series by the same authors, and this disappoints by comparison.
Part of it could be, of course, that we’re moving farther and farther away from the center of this story universe–Jamie and Wes. But even setting that aside, this setup had me uncomfortable right from the beginning. It’s a business/client relationship, and by its nature, one where there’s already some privacy boundaries crossed, and apparently they’ve been kind of friendly-flirty in their chats for a while, but it’s all still business….
Ugh. I really didn’t like it when Hailey started breaking rules for Matt, even though they were minor ones, even though her co-owner never caught her at it.
And I never felt their chemistry was worth all that hush-hush rule-breaking. Hailey was honestly over-the-top irritating in her babbling phases (she doesn’t have Blake’s silly motor-mouth charm, I guess) and Matt was just…a dude? Who likes his kids but has a bitchy ex-wife? He didn’t actually have much personality, and came across as very needy, because the entire basis of his relationship with Hailey is founded on her seeing to his every need/whim/request via her Fetch business.
I’d say this has turned me off the series, only there isn’t any more planned, so that’s a moot point. We’ll just call it a misstep then, from an author pair I otherwise enjoy very much.
#122 – To Do List, by Lauren Dane
- Mount TBR: 96/100
- Rating: 1/5 stars
I started having problems with this read right away, so I took some notes, and they ended up being so extensive for such a short novella that I’m just going to use them as my book review directly:
Starting with a kiss between two people that haven’t been introduced yet, beyond the blurb? And it’s a mistletoe kiss? Unsatisfying.
Everyone is commenting on the exact same details about Belle: Rafe, her brother, her mother, and her sister, all in the space of a few pages. They all say at least two of the same three things: she’s pale, she’s lost too much weight, she has dark circles under her eyes. Her mom and sister comment separately on the dark circles four paragraphs apart. I GET IT ALREADY, BELLE IS TIRED.
Can we get commas, please? Some of these sentences go on forever, and they’d read better if I could more easily tell where clauses start and stop.
Aaaand a few pages later grandma has precisely the same complaints about Belle as everyone else. I know this isn’t the point of the story so far, because Belle’s absence from “the family” is attributed to her hours as a junior attorney, but could she also not want to come to visit because everyone in her family is awful to her about her appearance? Sheesh.
Oh, and later, when she’s not even around, Rafe’s brother takes it upon himself to make a joke about fattening her up so she can’t leave. GROSS.
90%+ of the dialogue is either purely expository, or simply repetitive: either two people are talking about something they both already know so the author can inform the reader, or they’re speaking out loud something that was just said in internal monologue, or they’re saying something to one person that we already heard them say to another person.
Rafe brings up the idea of proposing (not in front of his lover, but in front of a family member) about two days after the story starts. Yes, they’ve known each other for most of their lives, but that’s not a reasonable reaction to a romantic relationship that new (when it’s not framed as a love-at-first-sight or other sort of “whirlwind” romance story, which this isn’t billing itself as. Everything I see tells me that I’m supposed to be taking this utterly seriously as a concept.)
Rafe’s page-long monologues where he spills his feelings in detail don’t read as genuine. It’s not even a “men don’t talk that way” thing for me, it’s simply a “people don’t talk that way.” That’s true for everyone, to some extent, for the entire book, but Rafe monologues about Belle like three or four times to different people and it’s just an info-dump of Telling Instead of Showing every single time.
Really abrupt ending–I actually turned the page on my Kindle and was surprised to see the end matter, turned back a page to make sure I hadn’t missed something, no, I hadn’t, it was just over with basically no warning.
#123 – Under His Kilt, by Melissa Blue
- Mount TBR: 97/100
- Rating: 1/5 stars
I didn’t like anything about it. Not one thing.
The leads have no personalities, and I’m apparently supposed to be invested (or swooning) over the hero simply because he has an accent. Maybe also because he’s kind of a jerk, but he’s enough of one not to be a great person while not being enough of one to qualify as a bad boy worth reforming (if you’re into that type of thing.) The heroine is bland as hell.
The premise is clear and we jump right to it, but there’s no real chemistry between them so the sex scenes feel kind of mechanical. Also, we only get about one and a half of them before the heroine is already getting weird pseudo-nostalgic feelings about what a shy, retiring, demure flower she used to be before one week of kinky sex turned her life around. That really brought me up short, because I didn’t find the sex to be particularly kinky, though obviously where that line is depends on the person.
Also, I know hardly anything about what setting up a traveling exhibition at a museum is like, so I could be wrong, but these people don’t sound like they have real jobs: when they’re shown at work together (so they can flirt because this is a workplace romance) they’re mostly dressing mannequins in historical clothing. Okay, obviously someone has to do that–but the curator and the traveling consultant that’s responsible for the exhibit? When the items were described as replicas, I thought workers lower on the totem pole could handle it, but then later they’re “priceless artifacts” so yeah I guess only the higher-ups can deal with them. (Which are they? Please be consistent with your details!) But what is Ian’s job exactly, anyway? If he’s in charge of the exhibit as it travels, why is he leaving as soon as it opens? If he’s not necessary to the safety/protection of the items in the exhibit, then why is he even there at all? I simply don’t understand how any of this works, either in real life (my fault) or in the story (the author’s fault, because it’s not clear at all.) And they do spend a lot of time at work together because that’s the basis of the story.
The puppy subplot? Poorly thought out. No puppy is that well-behaved without a lick of training, and only seriously confused, in-denial people would get a pet together and think it doesn’t mean anything about the state of their relationship. I had a hard time believing any of it.
And their happy ending was silly in a bad way. Hero does a rude thing to provoke the heroine into contacting him again so he can continue their relationship, only she doesn’t do it and he breaks first. And they argue. Again. And it’s all so dumb.