#93 – Saga, Vol. 4, by Brian K. Vaughan and Fiona Staples
- Read: 7/11/19 – 7/12/19
- Challenge: Virtual Mount TBR (29/48)
- Rating: 4/5 stars
Right after I said in the review for the third volume that I expected five-star ratings across the board, I end up not liking this one quite as much. I’m still trying to pinpoint why. Some of Hazel’s narration seemed off (and some of it deliberately tricksy, which I was fine with) but I don’t really like the red herring of Marko potentially cheating that got dangled in front of me. It’s not even that I’m wholly anti-cheating in general, it’s actually that it didn’t feel like a plausible turn for the story to take, so I couldn’t treat the possibility seriously.
Alanna’s drug problem, on the other hand, was totally believable and in keeping with the pressure she’s under. I liked the time we spent with her on the Circuit, and I wish we could see more without that extra time completely breaking the pacing (which it would, I know, it’s just such an interesting bunch of characters, I want more of them.)
I think the larger, systemic problem I had with this volume might be how fractured it felt. The main arc is the separation, fine, but all the subplots seem to be going in wildly different directions here, with assassinations and kidnappings and a few side characters dying (lots of not-quite-random violence in this one) but with little cohesion binding them together. To be honest, I feel like I’m missing something that makes this make sense, in the larger fashion that the first three volumes gave a satisfying tale told in each one. Here, I feel like I read a lot of loose ends.
Which, to be fair, where still cleverly written, brilliantly drawn, and full of the detail I’ve grown to appreciate so much. My vague dissatisfaction could simply be that we’ve reached the point in the overall story where things have to start going wrong very quickly on all fronts, which is why this volume in particular was hard-hit by that violence and messiness. When I have the whole story in front of me, perhaps this slice of it won’t seem weaker.
#93 – Pride and Prejudice and Zombies, by Jane Austen and Seth Grahame-Smith
- Read: 7/13/19
- Challenge: Mount TBR (61/100); PopSugar Reading Challenge: The Reading Frenzy’s “Run Away with the Circus” Read-a-thon
- Tasks: A retelling of a classic (PopSugar); A light and fluffy read (The Reading Frenzy)
- Rating: 1/5 stars
DNF at page 70. This was a gimmick read, and that gimmick wore thin extraordinarily quickly.
I’m not a huge P&P fan, I’m no raging purist that thinks this is bad simply because it exists. The premise sounded awesome, and I’m down for genre mash-ups. But the execution on this is so, so poor. The only good thing I can say about the text is that, in streamlining Austen’s original prose to shorten the book and make room for the additional elements, the story is far more readable in terms of style. My major stumbling block with the source material was the archaic and bloated sentence construction–that’s what’s eliminated (mostly) here for the modern reader. Kudos for that, it let me read those 70 pages before I gave up in a single afternoon instead of several days.
Everything else is terrible. The zombies–oh, sorry, “unmentionables”–are spliced into the original text, and every seam shows. Whenever the narrative needs to address the fact that Lizzy and her sisters are accomplished fighters–which is often, because we might forget otherwise?–it completely destroys the tone of the scene and takes me out of the story.
Plus, let’s throw in a little racism while we’re at it–the Bennet girls are said to have trained with Shaolin monks in China, yet Japanese terms like dojo and ninja are used liberally. If I trusted the author more, I might be able to shrug this off as a relic of the time period, when the English were mad with Orientalism and would easily conflate all things “Eastern” into a single exotic source, destroying Asian diversity; except that China was well-known to Europe for centuries in 1797 when P&P is set, but Japan wasn’t open to the Western world until the mid-1800’s. There is absolutely no reason for any Japanese terminology or cultural influence to be in this book.
Now, Elena, you might say, why are you insisting on historical realism when this book is about zombies? Well, because the book hasn’t presented me with any reason the “strange plague” altered history enough to send British and/or American delegations to Japan more than fifty years early, that’s why. P&P is set in the real world, and P&P&Z added zombies, so unless those zombies went to Japan and started diplomatic talks, Japan should still be that mysterious island nation that little is known about and who doesn’t really talk to anyone yet.
It’s hackneyed and racist to conflate multiple Asian cultures this way, and it’s lazy not to know enough about history to make this sort of mistake in the first place. And nobody higher up the food chain caught it, either.
This is a gimmick read, and it’s a bad one.
#95 – Caliban’s War, by James S.A. Corey
- Read: 7/13/19 – 7/17/19
- Challenge: Mount TBR (62/100); PopSugar Reading Challenge; The Reading Frenzy’s “Run Away with the Circus” Read-a-thon
- Task: A book about or set in space (both challenges)
- Rating: 5/5 stars
Revisiting a world I know so well is so comforting, even when the action is crazy pulse-pounding and the stakes are huge.
I came to this series as a show-watcher, and I was flabbergasted after reading Leviathan Wakes at how faithful the show was. Knowing now that the writing team behind this is also working on the show, I’m not surprised at all moving forward, but I’m still amazed by how much of the incredible character depth in the novels gets carried over.
So, book two. I was thrilled to finally meet Avasarala on the page and see the full scope of her vulgarity, because of course she can’t drop the f-bomb that many times on screen. She’s so many things that female characters are so rarely allowed to be, especially in combination: intelligent, politically powerful, manipulative, crass, insulting, cantankerous, and also deeply in love with her husband throughout a long and stable marriage, motherly/grandmotherly, and despite the outward flaws of her personality or the deliberately cultivated flaws of her political persona, she’s likeable, relatable, and most of all, a force for good in the universe.
Can you tell she’s my favorite character? Just a hint?
I loved her relationship with Bobbie on the show, and it’s only better in the book. In fact, everything about Bobbie is better in the book, simply because she’s another amazing female character who gets to do things outside the scope of normal literary femininity: be the most bad-ass warrior in any given room, but still have a personality beyond it. Bobbie is shaped by being a Marine and brings military-style thinking to every conversation, sure. But she also grows so much by being exposed to influences outside her military comfort zone, and whenever she offers an idea, she’s not dismissed as the meathead who thinks with her gun. (That position is arguably held, albeit somewhat voluntarily, by Amos, who seems to welcome the underestimation and dismissal he receives from strangers for being the big, bulky grease monkey–another subversion of the “big dumb brute” trope, because Amos is plenty smart in a lot of ways, and the story shows it even when he’s trying not to make it a big deal.)
Speaking of Amos, I also liked the extra depth to his relationship with Prax. (Whom I also welcomed as a POV character, he convinced me by the end of his first page that he was a scientist through and through, and I love reading good scientists.) In the show, I saw their bond forming, but I didn’t always understand why those two gravitated towards each other, but in the book, it’s very clear.
I have less to say about the main Rocinante crew in general, other than that Holden and Naomi’s romance still seems kind of meh, though I accept the arc of her leaving and his apology bringing her back as solid and well-done. Alex doesn’t get a lot of further development here, he’s absent for half the book for story reasons, but Holden at least acknowledges in the end that that was a shitty thing to do to him, and Alex takes it all in stride as the easy-going dude he is.
With so many new and amazing characters moving the story forward, the main four can’t be quite as shiny and interesting overall as they were back in the first book when they were new, too, so I understand that, but I hope this trend downward stabilizes instead of continuing until I’m bored with them.
#96 – Teach Me, by Olivia Dade
- Read: 7/18/19
- Rating: 4/5 stars
Since this was a romance I picked up at the behest of one of my reading clubs and not by my own interest, I was surprised by how much I enjoyed this. A work-place romance between an Ice Queen type and a single dad, and a sort of enemies-to-lovers arc? (They’re not enemies, not really, but she has reasons to resent his presence in her school and department at first, though she takes the high road and decides not to.) I wouldn’t necessarily have chosen to read this on my own, but I would have been missing out.
I loved Martin, I really, truly did. I’m a total sucker for a thoughtful man, and compassion is woven into his DNA. In their relationship, he shows his vulnerability first, which is definitely a rarity in your standard m/f romances, and one I appreciate. And he’s a good dad, without laying it on too thick. Showing him struggling with the anticipation of an empty nest when his daughter goes off to college the next year really made that aspect of his character work.
Rose, I liked slightly less. I can see how she’s a well-constructed character and a perfect match for Martin, but her fears came out a little too strongly for me and held her back a little too long. Maybe that’s just because in her place, I would have been doodling hearts around Martin’s name in my notebook long before she was, but I was honestly irritated by how closed-off she was, even near the end.
The payoff was cute, the relatively few kissing and sex scenes were swoon-worthy, though this story is far more couched in the Unresolved Sexual Tension stage of a relationship–that first kiss comes pretty late in the book. But it’s worth the wait.
It wasn’t perfect for me, but it’s pretty darn good, and since this is my first read by this author, I’ll be looking into more of her work.